The Very Best of the Best: 35 Years of the Year’s Best Science Fiction

The Very Best of the Best: 35 Years of the Year’s Best Science Fiction
Ed. by Gardner Dozois

For 35 years super-editor Gardner Dozois, who died last year, helmed the prestigious Year’s Best Science Fiction anthologies. The Very Best of the Best offers up some highlights from his tenure, but the subtitle is flat-out wrong as the book only includes stories that go back to 2002. There were two previous Best of the Best volumes that included stories published from 1983 to 2002, making this book the third such selection.

With that important caveat out of the way one can recommend The Very Best of the Best wholeheartedly. As you would expect, the line-up of names is like a who’s who of contemporary SF, and as always with Dozois the selection is expertly assembled, offering up a wide range of traditional tropes and themes being spun in all kinds of imaginative new ways. Not all of it will be to everyone’s liking, but for everyone there is a lot to like. You really can’t go wrong adding such a volume to your collection.

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The Last Iota

The Last Iota
By Robert Kroese

The Last Iota is the action-packed sequel to Robert Kroese’s hit neo-noir mystery The Big Sheep, returning us to a mid-twenty-first-century, post-Collapse Los Angeles and the team of brainy private investigator Erasmus Keane and his brawny partner Blake Fowler.

The iota of the title is a type of virtual currency, much like today’s bitcoins. When the iota was launched there were a handful of physical iota coins produced and now for some reason they are in high demand, with people literally dying to get their hands on them. Finding the last iota, and figuring out why it’s so important, will force Keane and Fowler to navigate an urban war zone while trying to untangle a complex web of high-level financial chicanery and blackmail.

High-Rise

High-Rise
By J. G. Ballard

Is it science fiction? Well, it’s prophetic. It describes itself, paradoxically, as a vision of “a future that had already taken place, and was now exhausted.” Shouldn’t that mean that its particular dystopic vision is now passé?

Not quite. This is a novel that juxtaposes the shallow surface of modern life with its lower depths, inviting all kinds of obvious Freudian and Marxist interpretations. The abyss, however, abides, which is why we continue to see so much of ourselves in the residents of the high-rise. Their need for comfort and security, for example, and their selfishness and narcissism are drives no less important than their unleashed libidos. Wilder’s camera would be a cellphone now, but otherwise it seems very familiar.

As a vision of the end of the world High-Rise is as resonant now as ever. This may well be the way the world ends: locked inside our dirty apartments, drowning in our own filth, and each of us (even, or especially, those of us with families) entirely alone. If not happy, at least content.

Nebula Awards Showcase 2017

Nebula Awards Showcase 2017
Ed. by Julie E. Czerneda

The Nebula Awards debuted in 1966, with Frank Herbert’s Dune taking the prize for best novel, and since their inception they’ve been accompanied by a companion volume showcasing the nominees.

This year’s edition, the fifty-first, is drawn from the 2015 Nebulas and comes to us edited and introduced by Canadian author Julie Czerneda. It contains all of the nominees for Best Short Story as well as the winners of the Best Novella, Best Novelette, Best Short Poem and Best Long Poem prizes. In addition there are excerpts from all of the books nominated for Best Novel, and brief intros by the authors. While not as big a book as most Year’s Best anthologies (of which there are many), its sampling of different forms does make it something a little different.

There has been controversy in recent years over the underrepresentation of women in SF awards, so it’s worth noting that in 2015 all of the major Nebula Awards, for poetry and fiction, were won by women, from Alyssa Wong for best short story to Naomi Novik for best novel. Did the voters get it right? The Showcase lets you be the judge.

All Systems Red

All Systems Red
By Martha Wells

The post- but still part-human cyborg has proven to be one of the most enduring figures in SF. And as our tools and technology lead to further extensions and augmentations in the best McLuhanesque fashion, it keeps getting easier to identify with these evolving human-machine hybrids.

The narrator of All Systems Red is a corporate cyborg unit named Murderbot. Despite having a bad-ass name, Murderbot actually has a shy, retiring personality, well-suited for the task of providing security for a team of scientists investigating a remote planet. This should be a simple task, giving Murderbot lots of free time to watch cable dramas while ignoring the annoying humans. But then things go crazy. Satellite communications are disrupted and contact is lost with a neighbouring research station. Murderbot will have to rise to the occasion if the team is going to survive.

All Systems Red is a quick read, the length of a novella, and Wells’s storytelling is light on its feet, making for a thrilling action yarn with a catchy plot and a conflicted narrator many readers will be able to relate to.

Walkaway

Walkaway
By Cory Doctorow

In the near-future Toronto’s social and political fabric is coming apart.

“Default” is the name given to the prevailing system, a security state with an entrenched uber-class of superrich (known as “zottas”).

Those who reject default are called walkaways. They are mostly young people who have chosen to abandon capitalism in order to build a new communal society based on free love, respect for the environment, and the ability of 3D printers to provide for all of life’s needs.

Natalie, a zotta heiress, is one such walkaway, and the story focuses on her adventures among her newly adopted family and the efforts made by her zotta dad to get her back. You see, default can’t tolerate alternative paradigms. And then there are these stories that the walkaways have found the secret of eternal life . . .

The label most often attached to Doctorow’s brand of SF is “optimistic,” and in Walkaway he’s that and then some. In his vision of the future not only are people basically good but there are no limits to what they can accomplish. We will live in a post-scarcity world where we are able to fashion our own reality and even, literally, create a new heaven and earth.

You can criticize Doctorow’s vision on a lot of different grounds – and I would – but you can’t knock its imaginative boldness or the energy and conviction with which he puts it forward. Walkaway is his fullest, most important book so far, and a lot of fun even to disagree with.

The Year’s Best Science Fiction, Thirty-Fourth Annual Collection

The Year’s Best Science Fiction, Thirty-Fourth Annual Collection
Ed. by Gardner Dozois

For over thirty years Gardner Dozois’s Year’s Best Science Fiction anthology has set a standard for excellence, but the 2017 edition stands out as something special, and would be my pick for the best in the series of the last ten years.

The stories are, as always, diverse and entertaining, but they also come with extra layers of significance, like pop allegories with bite. A sequel to John Carpenter’s movie The Thing, for example, turns into a new way of looking at the AIDS crisis in the ‘80s. Alien invasion and the supplanting of our own species is welcomed in “Touring with the Alien” and “Fifty Shades of Grays” (which has humanity seduced into committing a sort of auto-erotic extinction event).

The stories look in all directions: full of nods and winks to the past, and dreaming of the future while staying deeply rooted in the here and now. Christopher Marlowe is raised from the dead as an A.I. A cyborg Shane stalks the Saskatchewan prairie. A man digs a grave for his father and builds a tower to the stars.

In sum it’s a book to enjoy and wonder at, but also one to make you think.