The Rosewater Redemption
By Tade Thompson
The Rosewater Redemption marks the triumphant conclusion of Tade Thompson’s wonderful Wormwood Trilogy. Humans are standing off against the alien Homians both on the ground (in the newly-independent city state of Rosewater) and in the magical xenosphere. The winner of this final battle has a world to gain.
There are a lot of characters to deal with and story arcs to be resolved, but Thompson manages while at the same time introducing some interesting new wrinkles. Time travel through the xenosphere is just one example, offering a fresh take on this classic SF trope by having avatar-like characters diving into streams of historical data.
It’s not a book you can read as a stand-alone, so if you missed the start of the series (Rosewater and The Rosewater Insurrection) you’ll have to go back and get up to speed. That will be time well spent though, as this is a fun trilogy from beginning to end.
The Machine Awakes
By Adam Christopher
The Machine Awakes is the second instalment in Adam Christopher’s Spider Wars trilogy, telling a stand-alone story set in the same universe as The Burning Dark.
As things begin it seems that something’s stirring on the moons of Jupiter, and it’s not those pesky Spiders again. Meanwhile, things aren’t going well on Earth either, as the Fleet Admiral has just been assassinated after being overthrown in a coup. But which of the many conspiracies out there is responsible?
It’s up to the Fleet Bureau of Investigation to get to the bottom of all this, and Special Agent Von Kodiak is the man for the job. Expect a really entertaining space opera with all the fixings from a writer who is hitting his stride.
By John Scalzi
Head On is a sequel to John Scalzi’s Lock In, with FBI agents Chris Shane and Leslie Vann returning to investigate another high profile murder case.
The premise behind the Lock In universe is that there is a disease that shuts the body down but leaves the mind fully functioning. People in this locked-in state, Chris Shane being one, are able to get around and interact by using mechanical avatars known as “threeps.”
Head On begins with a game of hilketa, a new, ultra-violent team sport played by threeps whose corporate backers are trying to break into the professional big leagues. When one of the hilketa players is killed in action Shane and Vann are drawn into a complex web of intrigue that spans the globe, and some prime real estate in virtual reality as well. You’ll have to pay attention in order to follow all the different threads, but Scalzi is in good form again here with his usual rich blend of smart, rapid-fire dialogue and well-paced bursts of hard-hitting action.
By Emily Devenport
It’s often said, correctly, that SF doesn’t predict the future so much as it reflects current anxieties about where we may be heading. If so, there seems to be near universal concern over growing social and economic inequality. In recent SF books and movies one of the most common elements is a vision of the world divided into rigid castes of haves and have nots.
In Medusa Uploaded that social layer cake is back, this time on board a giant “generation space ship” ferrying humanity to a new home. For the most part the population of the ship is strictly divided between Executives and Servants. Oichi Angelis is one of the Servants (also referred to as “worms”), and soon after we meet her she’s being dumped out of an airlock. After she’s rescued by an AI named Medusa with its own agenda Oichi embarks on an angel-of-vengeance tour accompanied by a classical music playlist, leaving a trail of bodies behind her as she works toward uncovering the complex conspiracy behind the ship’s real mission.
By Sylvain Neuvel
The premise for this novella has it that in order to become a British citizen, immigrants have to pass a psychological assessment that takes the form of an advanced virtual-reality scenario. The reader immediately thinks of one of the more sinister experiments devised by Stanley Milgram, and while that isn’t far off the mark what’s telling here is what the technology (an advanced mix of software and drugs) is really doing. The point isn’t to control Idir (the applicant) but to reveal him to the observers. And, as things develop, the story turns out to be just as much about them as it does Idir. The observer effect is amplified by the human factor, changing lives as well as the results of the test. This is the real threat here, more than the political misuse of the assessment being made, and the resonance is all the greater in the age of Big Data because we are, voluntarily or unconsciously, taking these tests every day.
By Claire North
The end game of capitalism is looking grim in this dystopic novel by Claire North.
England in the near future has become a place where everything has a price and nothing is of value, including human life. Theo Miller, who works in the Criminal Audit Office, has this brought home to him when forced to do an appraisal on the murder of an old girlfriend who is also the mother of a daughter he’s never met. The total comes to £84,000.
Theo’s subsequent search for his daughter leads him on a journey across a blighted country, encountering various strange characters along the way and involving him in a resistance movement looking to bring down the corporatist government.
It’s a thrilling plot, but it takes a back seat to North’s vision of the grimy future, with its deserted towns, soulless bureaucracy, vile factory-processed food, and night sky the colour of excrement. There’s a physical texture to this world that helps make 84K a bracingly distinct and compelling read.
Half Way Home
By Hugh Howey
Half Way Home is a 2010 book by Hugh Howey that was, for some reason, re-released in 2019. I don’t think it holds up that well against his more recent work but it does give some early indication of where he was going.
What we have here is basically a retelling of The Lord of the Flies, with a colony of teenagers finding themselves on another planet after their ship’s AI fails to fully abort their mission. Once again the reset button has been pressed on civilization, a frequently recurring theme in today’s SF. But where Golding’s classic novel is pessimistic in its depiction of tribal human nature taking over Howey is more hopeful about our ability to triumph over adversity, in the form of the devil in the machine and a few bad apples.
I found Half Way Home to be readable but light, and not just for being aimed at a YA audience. There is a tendency in our more optimistic SF writers to see human evil as not inherent but something artificial and thus capable of being corrected or overcome. It’s not a point of view I share, and I find the politics of these books can sometimes get preachy, but as an antidote to the more misanthropic turns our dystopian fiction has been taking it’s worth considering.