Nebula Awards Showcase 2017
Ed. by Julie E. Czerneda
The Nebula Awards debuted in 1966, with Frank Herbert’s Dune taking the prize for best novel, and since their inception they’ve been accompanied by a companion volume showcasing the nominees.
This year’s edition, the fifty-first, is drawn from the 2015 Nebulas and comes to us edited and introduced by Canadian author Julie Czerneda. It contains all of the nominees for Best Short Story as well as the winners of the Best Novella, Best Novelette, Best Short Poem and Best Long Poem prizes. In addition there are excerpts from all of the books nominated for Best Novel, and brief intros by the authors. While not as big a book as most Year’s Best anthologies (of which there are many), its sampling of different forms does make it something a little different.
There has been controversy in recent years over the underrepresentation of women in SF awards, so it’s worth noting that in 2015 all of the major Nebula Awards, for poetry and fiction, were won by women, from Alyssa Wong for best short story to Naomi Novik for best novel. Did the voters get it right? The Showcase lets you be the judge.
The Year’s Best Science Fiction, Thirty-Fourth Annual Collection
Ed. by Gardner Dozois
For over thirty years Gardner Dozois’s Year’s Best Science Fiction anthology has set a standard for excellence, but the 2017 edition stands out as something special, and would be my pick for the best in the series of the last ten years.
The stories are, as always, diverse and entertaining, but they also come with extra layers of significance, like pop allegories with bite. A sequel to John Carpenter’s movie The Thing, for example, turns into a new way of looking at the AIDS crisis in the ‘80s. Alien invasion and the supplanting of our own species is welcomed in “Touring with the Alien” and “Fifty Shades of Grays” (which has humanity seduced into committing a sort of auto-erotic extinction event).
The stories look in all directions: full of nods and winks to the past, and dreaming of the future while staying deeply rooted in the here and now. Christopher Marlowe is raised from the dead as an A.I. A cyborg Shane stalks the Saskatchewan prairie. A man digs a grave for his father and builds a tower to the stars.
In sum it’s a book to enjoy and wonder at, but also one to make you think.
By Bradley W. Schenck
Patently Absurd marks a joyful return to the city of Retropolis and the future that never was, the location of Bradley Schenck’s previous novel Slaves of the Switchboard of Doom. Specifically, the six linked stories collected here deal with the adventures of a couple of employees of the Retropolis Registry of Patents, an office that has the unenviable task of trying to keep a lid on some of the more dangerous ideas coming out of the city’s Experimental Research District.
This means it’s up to Ben Bowman and his robot assistant Violet to deal with breakaway floating labs, an eruption of mole people, outbreaks of blue slime, time machines, doorways to other dimensions, and, that curse of all bureaucracy, corrupt and incompetent management as they attempt to save Retropolis from a spirit of innovation gone mad. Throw in a generous helping of Schenck’s own delightful illustrations and what you have is a high-spirited genre romp that fans won’t want to miss.
By Hugh Howey
While self-publishing via Amazon hasn’t led to a total transformation of the book business, at least yet, there have been some amazing success stories. Hugh Howey, author of the bestselling Silo series of novels, is one of the most notable of these.
The Silo novels are the work of an author skilled in long-form narrative, and it’s surprising to turn to the stories collected in Machine Learning and find them just as accomplished. Howey’s highly original take on such standard SF themes as aliens, artificial intelligence and virtual reality are lively and thoughtful, with several of the stories, like “The Walk Up Nameless Ridge” and “The Plagiarist” being real standouts.
Howey has been writing at a fever pace throughout this decade but the quality of his output hasn’t suffered and Machine Learning is a good place to catch him at his best.
Frankenstein Dreams: A Connoisseur’s Collection of Victorian Science Fiction
Ed. by Michael Sims
The publication of Mary Shelley’s Frankenstein in 1818 is usually regarded as when science fiction began, with the genre then taking another hundred years to arrive at its present form. In this anthology of stories and novel excerpts from the nineteenth century, editor Michael Sims tracks the process of this shaping, collecting some of the earliest explorations of what would become staple themes like time travel, robotics, and space exploration.
Calling this “Victorian” science fiction is slightly misleading, as most of the stories, some of which are quite obscure, are American. It’s mainly the excerpts from longer works that come from familiar European authors like Mary Shelley, Jules Verne, Robert Louis Stevenson, and H. G. Wells.
In any event, the major difference between SF then and now is perhaps not so much our greater knowledge of the universe – we no longer believe in Lunarians living on the moon, for example, or cities on Venus – as it is the evolution in style. It’s the flavour of the writing here, so distinct from our own, that really makes this a collection for the connoisseur.
Philip K. Dick’s Electric Dreams
By Philip K. Dick
With Electric Dreams, a 10-part anthology series airing on Space based on his work, Philip K. Dick continues to solidify his place as one of the most essential and enduringly relevant SF authors. The companion book to the series contains the ten original stories the episodes were based on, with each introduced by the screenwriter who adapted them.
How has Dick managed to last? In large part because he wasn’t as interested in science as he was in our anxious and ambivalent relationship to it, which is something that hasn’t changed. In these less well known and less anthologized pieces he addresses such subjects as virtual reality, consumerism, the surveillance state, and technological determinism, all of which are as important today as they were in the mid-1950s.
Chasing Shadows: Visions of Our Coming Transparent World
Ed. by David Brin and Stephen W. Potts
Surveillance has been an important theme in science fiction at least since the middle of the twentieth century, when Big Brother started watching us through our telescreens. Today, of course, the telescreen is a part of everyday life and privacy is coming to seem like a quaint historical notion.
Chasing Shadows collects a variety of responses by SF writers to living in the digital panopticon, most of them less pessimistic than Orwell but still expressing some misgivings. No matter their particular angle though, all are entertaining and provocative, and piercingly relevant for our own time.
While not trying to predict what’s to come, the general impression given is that we should expect technology to become even more pervasive and intrusive, in part because that’s what we want it to be: valuing convenience and connection over intimacy and the individual.
We should be careful what we wish for.